Reviews
Kiriki Club
A Birmingham-based sextet with backgrounds as various as clowning, dance, theatre and live art (hence a name inspired by Les...
Reviewed by Kevin Bourke in issue: April/2021
¡Gózalo! Bugalú Tropical Vol 4
Some four years after the first volume of Vampisoul’s admirable series was released, here comes Volume 4 to disavow us...
Reviewed by Mark Sampson in issue: Jan/Feb/2012
Hammer Down
The SteelDrivers definitely put the hammer down on their latest album, which captures the Nashville-based ensemble’s pitch-perfect blend of country,...
Reviewed by Doug Deloach in issue: June/2013
What We Leave Behind
Produced in Nashville by fellow Canadian songwriter and producer Gordie Sampson, the follow-up to the splendid debut album Secret Victory...
Reviewed by Kevin Bourke in issue: November/2017
Souvenance
You would expect the events of late 2010 that sparked the Arab Spring to have had a profound effect on...
Reviewed by Bill Badley in issue: Apr/May/2015
Masterpieces for Sarod and Violin
Amjad Ali Khan, Elmira Darvarova, Amaan Ali Bangash, Ayaan Ali Bangash
There’s a long tradition of Indian-meets Western-music albums, but this is one of the best. India’s premiere sarod player, Amjad...
Reviewed by Simon Broughton in issue: January/February/2022
Inganekwane
In both senses of the term, Johannesburg’s Zoë Modiga is a new world star. Her ancient-to-future energy swirls from a...
Reviewed by Jane Cornwell in issue: October/2020
Way Up On The Hill
Here’s a jaunty set of songs from the Sussex-based Appalachian-themed band Hatful of Rain, rolling through a tidal wave of...
Reviewed by Rose Skelton in issue: Aug/Sep/2012
Cosmic Language
The fusion of jazz and Indian classical music has become so commonplace as to be almost passé, but saxophonist Nat...
Reviewed by Liam Izod in issue: May/2018
