Reviews
Folk Tale
Now in his mid 60s, the iconic Irish folk trou¬badour still packs a punch, if this latest offering is anything...
Reviewed by Gerry Quinn in issue: March/2012
For the Sake of Auld Decency
Album number two from Irish-Danish four-piece Mórga, sees David Munnelly replace Barry Brady on accordion. But in all other respects...
Reviewed by Michael Quinn in issue: Aug/Sep/2014
Narrow Line
You’d be hard pressed to pinpoint the origins of Canadian folk duo Mama’s Broke. Their album Narrow Line more than...
Reviewed by Li Robbins in issue: July/2022
Roforofo Fight
Following Fela Kuti’s trip to the US in 1969, he returned to Nigeria with a revolutionary mission, changed the name of his...
Reviewed by Nigel Williamson in issue: October/2022
Set Me Free
Keyna Wilkins & Jalal Mahamede
Last year from his detention cell in Brisbane, Ahwazi Arab refugee poet-artist Jalal Mahamede recited his poems via Zoom while...
Reviewed by Fiona Mactaggart in issue: May/2022
Live at Vai Te Mihi
The Pacific’s Rapa Nui – popularly known as Easter Island – is one of the most remote inhabited islands in...
Reviewed by Seth Jordan in issue: June/2022
Zydeco: Black Creole French Music & Blues 1928-1972
Zydeco is Creole French for something lacking spice – food or gossip – and only came into common use in...
Reviewed by Garth Cartwright in issue: Jan/Feb/2016
Genau!
The international debut from the Italian quartet claims to represent the ‘Power Gypsy Dance’ style. What exactly this is, Baro...
Reviewed by Garth Cartwright in issue: May/2017
Nippon Guitars: Instrumental Surf, Eleki & Tsugaru Rock 1966-1974
The Dead Kennedys’ former lead singer Jello Biafra is a big fan. Reinvented Jap-rock historian Julian Cope has also expressed...
Reviewed by Nige Tassell in issue: Apr/May/2012
The Rough Guide to Jewish Music
Klezmer is by far the most well-known Jewish music genre, to the extent that it is often the only one...
Reviewed by Tom Newell in issue: August/September/2022
