There are those who will tell you that we are witnessing the sonic equivalent of Francis Fukuyama’s ‘end of history’...
Reviewed by Nigel Williamson in issue: Apr/May/2011
While Frederick ‘Toots’ Hibbert takes credit for coining the word reggae, and Bob Marley is widely considered reggae’s only true...
Reviewed by Clyde Macfarlane in issue: Jan/Feb/2014
This eclectic collection features established giants such as Asha Bhosle alongside relative unknowns. Opening with a 70s Bollywood number by...
Reviewed by Amardeep Dhillon in issue: Apr/May/2015
Y-Bayani & Baby Naa & The Band of Enlightenment, Reason & Love
Ghanaian singers Y-Bayani and Baby Naa give their spin on African roots reggae on Nsie Nsie. Fusing reggae grooves with...
Reviewed by Dan Hobson in issue: June/2020
If you saw the West End stage musical Umoja: Spirit of Togetherness, you will have already heard Amabutho, the seven...
Reviewed by Nigel Williamson in issue: Nov/Dec/2010
La Tradition Américaine is the second album by The Blue Dahlia, a pan-Atlantic project led by Brooklyn-born singer-songwriter and ukulele...
Reviewed by Doug Deloach in issue: December/2018
Bullinn is the third album from the Norwegian Hardanger fiddler (and prize-winning fiddle maker) Ottar Kåsa, jazz musician Mattis Kleppen...
Reviewed by Merlyn Driver in issue: Aug/Sep/2019
Nearly a quarter of a century on and this group is still corralled by Shetland fiddler Aly Bain and his...
Reviewed by Kevin Bourke in issue: June/2019
The River is Napier's first solo album, and a rather intriguing and exciting one it is too. Napier is a...
Reviewed by Billy Rough in issue: June/2016
There’s a sharp comment in the liner notes of this debut album to the effect that the band Kel Asouf...
Reviewed by Nigel Williamson in issue: Jan/Feb/2014
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