Acclaimed as the only female five-string banjoist in the American Banjo Hall of Fame, Alison Brown gives full flower to...
Reviewed by Doug Deloach in issue: June/2023
Recent sides by prolific American Primitive revivalists Elkhorn have seen the core duo of Jesse Sheppard and Drew Gardener augment...
Reviewed by Spencer Grady in issue: June/2023
A mutually inspired quest for excellence pervades AccompliceTwo. The much-anticipated follow-up to 2018's Accomplice One features Australian guitar wizard Tommy...
Reviewed by Doug Deloach in issue: June/2023
At 92, Portuondo is now older than Compay Segundo was when the original Buena Vista Social Club album was recorded...
Reviewed by Nigel Williamson in issue: June/2023
Swedish label ajabu! must have a good network of scouts. Pedro Rosa is their latest Brazilian discovery, following the likes...
Reviewed by Mark Sampson in issue: June/2023
The much-loved Marimba-Punk boys from Mexico City are back. This time with an album showcasing their own compositions; a departure...
Reviewed by Jenna Mackle in issue: June/2023
There is so much to love about Playscapes. Bartosik has always had a capacity to surprise and delight through exploring...
Reviewed by Fiona Talkington in issue: June/2023
Chaimbeul's richly experimental new album sits perfectly in Glitterbeat's almost always excellent catalogue of outlier artists from world music traditions;...
Reviewed by Tim Cumming in issue: June/2023
Susi Evans is a dynamic clarinettist from Shekoyokh and this is her second duo album with Hungarian-born, German-based accordionist Szilvia...
Reviewed by Simon Broughton in issue: June/2023
The itku lamentations of eastern Finland were originally performed at funerals and weddings, usually by women. This cathartic tradition developed...
Reviewed by Wif Stenger in issue: June/2023
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