London-based fiddle and melodeon duo Martin Clarke and Will Allen pulled on their Brown Boots and recorded their debut, First...
Reviewed by Tim Cumming in issue: October/2023
All aboard the Omnibus express! Brussels-based musician Geneviève Laloy whisks us along on a sensational journey with her fifth album,...
Reviewed by Lucy Hallam in issue: October/2023
Born in 1938 in Cairo, Nagat El-Saghira made her first public performance at the age of seven – her diminutive...
Reviewed by Charlie Cawood in issue: October/2023
For fans of Jaune Toujours, this may come as something of a shock. Their singer and accordion player Piet Maris...
Reviewed by Robin Denselow in issue: October/2023
There's something plainly refreshing about witnessing an artist following their own path, uninhibited. Chandra's trilogy of albums – first released...
Reviewed by Anita Bhadani in issue: August/September/2023
Electric Sufi's debut is a dense thicket of influences and personalities, bringing together Manchester-based singer of Kashmiri heritage, Sarah Yaseen,...
Reviewed by Daniel Spicer in issue: August/September/2023
Immy Owusu has an intriguing history. His grandfather is the veteran Ghanaian palmwine music hero Koo Nimo, his father, Kojo...
Reviewed by Robin Denselow in issue: August/September/2023
‘A bad attitude is like a flat tire / You can't go anywhere until you change it,’ declares King Ayisoba...
Reviewed by Doug Deloach in issue: August/September/2023
Syrian-French flautist Naïssam Jalal has been somewhat overlooked as a composer and bandleader, but with this album – her ninth!...
Reviewed by Jim Hickson in issue: August/September/2023
Alogte Oho & His Sounds of Joy
Lively church music based on Ghanaian highlife traditions with a modern electric slant. Guitars, two keyboards and a horn section...
Reviewed by Martin Sinnock in issue: July/2023
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