Mehmet Polat is from Urfa in Turkey, overlooking the Euphrates, so looking towards Syria and Iraq rather than Istanbul. He...
Reviewed by Neil van der Linden in issue: June/2018
From the opening, jump-up moments of ‘Abatina’, a crisp, smart updating of a famous traditional rhythm, ‘Kalenda March’, it is...
Reviewed by Charles De Ledesma in issue: Aug/Sep/2016
Sheikhs Shikhats & B’net Chaabi
This sprawling 18-piece Belgian ensemble combines Sheikhs Shikhats and B’net Chaabi, the former a horn-dominated band fronted by a female...
Reviewed by Martin Longley in issue: June/2023
By the 1980s Ghana's once vibrant highlife scene was in decline along with the country's economy, and many of the...
Reviewed by Nigel Williamson in issue: June/2023
This singer-songwriter (and author) was keen to make her 13th album ‘a real band album’ after the experience of recording...
Reviewed by Mark Sampson in issue: June/2023
Letieres Leite & Orkestra Rumpilezz
In his liner notes, Gilberto Gil calls this album ‘a work of great magnitude.’ Rich in musical history, but tinged...
Reviewed by Mark Sampson in issue: June/2023
This live recording is the latest in a series from the Montreux festival archives. Previous releases feature greats such as...
Reviewed by Jo Setters in issue: June/2023
Classically trained in Italy and subsequently based in Paris, guitarist Roberta Roman has pursued a particular interest in the relationship...
Reviewed by Martin Sinnock in issue: June/2023
Ensemble Al-Kindi & Sheikh Hamed Daoud
This album from the formidable Ensemble Al-Kindi is their first release since the untimely death of their founder Julien Jâlal...
Reviewed by Alexandra Petropoulos in issue: June/2023
Originally from the Ivory Coast Peter One emigrated to the US to escape Civil War. Prior to this, he released...
Reviewed by Martin Sinnock in issue: June/2023
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