The ‘stampede’ in Victor Herrero’s album title is actually more of a gentle trot around the sweet major and sadder...
Reviewed by Chris Moss in issue: March/2014
The grandson of West Indians from Saint-Kitts and Martinique and now resident in Marseilles, Walters continues his exploration of Afro-Caribbean...
Reviewed by Nigel Williamson in issue: May/2023
It’s interesting to ponder what the reception to this album would have been had it been released by a pair...
Reviewed by Doug Deloach in issue: March/2014
Jess Distill, Hannah Elizabeth and Katy Pilkington discovered a mutual love of folk music after spending their school years together...
Reviewed by Kevin Bourke in issue: April/2018
Two of Astor Piazzolla’s great suites – Angels’ and ‘Devils’ – evolved ove r many years and, as a consequ–...
Reviewed by Chris Moss in issue: March/2010
Alison Perkins & Nicolas Brown
All Covered with Moss, the debut offering from Detroit, Michigan-based duo Alison Perkins and Nicolas Brown, arrives as the pair...
Reviewed by Michael Quinn in issue: April/2017
For better or worse, the ominous title of this new album by Moh Alileche is not borne out by the...
Reviewed by Jo Setters in issue: Aug/Sep/2021
A few years ago a group of musicians from the Slovakian Roma community came together with a group of musicians...
Reviewed by Garth Cartwright in issue: July/2021
Come across this on a shelf and you’ll think you’ve found a new Bellowhead album. But what we have here...
Reviewed by Julian May in issue: March/2010
Berlin-based bansuri player Roy Sunak's debut album, Tear in the River, can’t be faulted musically, even if its concept –...
Reviewed by Michael Quinn in issue: April/2023
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