Reviews
The Moral of the Elephant
We’ve heard them together in Waterson:Carthy, but this is the first time father and daughter have recorded as a duo,...
Reviewed by Tim Cumming in issue: July/2014
Sleeping Spirals
“I didn’t think I did need a cellist,” Hannah James says in a video describing the genesis of her new...
Reviewed by Sophie Parkes in issue: January/February/2022
Resiliencia
Taína Asili is a New York-born Puerto Rican singer-songwriter, activist, punk rocker, filmmaker and freedom fighter whose songs, videos, documentaries...
Reviewed by Jane Cornwell in issue: July/2019
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The Rise & Fall of Paramount Records (1917-1927) Volume One
Think of this as a time capsule. But not just any time capsule. This is more like a 10kg, bunker-busting...
Reviewed by Doug Deloach in issue: Apr/May/2014
Shifted
It's evident from the outset, clearly audible in the three-part close vocal harmonies, that Harpeth Rising are three young ladies...
Reviewed by Jeff Kaliss in issue: December/2015
A Retrospective
Pink Martini | Pink Martini & Saori Yuki
‘If the United Nations had a house band in 1962, hopefully we’d be that band,’ commented Thomas Lauderdale, bandleader of...
Reviewed by Nige Tassell in issue: Jan/Feb/2012
At Big Pink
This is a historic recording first released on the American Buddha label in 1968 and it's great that Floating World...
Reviewed by Simon Broughton in issue: June/2017
Origines
For his second full-length album, Marseille-based urban poet Ahamada Smis has pointed his musical compass towards the country of his...
Reviewed by Jim Hickson in issue: Apr/May/2014
Luso Noir – Music from Portuguese Speaking Africa
Whether it's the folk of Madredeus, the samba of Chico Buarque or the manifold rhythms and cadences of Lusitanian Africa,...
Reviewed by Alex Robinson in issue: October/2011
