Reviews
Estampida
The ‘stampede’ in Victor Herrero’s album title is actually more of a gentle trot around the sweet major and sadder...
Reviewed by Chris Moss in issue: March/2014
Soul Tropical
The grandson of West Indians from Saint-Kitts and Martinique and now resident in Marseilles, Walters continues his exploration of Afro-Caribbean...
Reviewed by Nigel Williamson in issue: May/2023
Love Has Come for You
It’s interesting to ponder what the reception to this album would have been had it been released by a pair...
Reviewed by Doug Deloach in issue: March/2014
Here's a Health
Jess Distill, Hannah Elizabeth and Katy Pilkington discovered a mutual love of folk music after spending their school years together...
Reviewed by Kevin Bourke in issue: April/2018
Del Diablo y del Angel
Two of Astor Piazzolla’s great suites – Angels’ and ‘Devils’ – evolved ove r many years and, as a consequ–...
Reviewed by Chris Moss in issue: March/2010
All Covered with Moss
Alison Perkins & Nicolas Brown
All Covered with Moss, the debut offering from Detroit, Michigan-based duo Alison Perkins and Nicolas Brown, arrives as the pair...
Reviewed by Michael Quinn in issue: April/2017
Humanity is Falling Apart
For better or worse, the ominous title of this new album by Moh Alileche is not borne out by the...
Reviewed by Jo Setters in issue: Aug/Sep/2021
Live at Tou
A few years ago a group of musicians from the Slovakian Roma community came together with a group of musicians...
Reviewed by Garth Cartwright in issue: July/2021
Umbrellowhead
Come across this on a shelf and you’ll think you’ve found a new Bellowhead album. But what we have here...
Reviewed by Julian May in issue: March/2010
Tear in the River
Berlin-based bansuri player Roy Sunak's debut album, Tear in the River, can’t be faulted musically, even if its concept –...
Reviewed by Michael Quinn in issue: April/2023
