An experimental fusion of Portuguese folk, introspective soul-searching and out-there electronica, this debut album by Ana Lua Caiano is an...
Reviewed by Huw Hennessy in issue: June/2024
One of the most rewarding things while listening to Cyril Cyril’s third album is not being able to anticipate what...
Reviewed by GonÇalo Frota in issue: June/2024
Carme López plays the Galician gaita (bagpipes), but for this debut album she’s dedicated to what sounds like the deep...
Reviewed by Martin Longley in issue: June/2024
‘Life is here, can you feel it?’ Mirja Palo’s lyrics don’t shy away from the pain of labour and childbirth...
Reviewed by Fiona Talkington in issue: June/2024
It’s been a fair few years since Thompson’s previous set, 2018’s excellent 13 Rivers. Here it’s more a case of...
Reviewed by Tim Cumming in issue: July/2024
Bongo Joe Records’ first foray into gitara music from Azerbaijan (the aptly-titled Azerbaijani Gitara by Rüstem Quliyev, released in 2020)...
Reviewed by Jim Hickson in issue: July/2024
Big band music in the 21st century can often feel quite dated, so it's refreshing to hear an album such...
Reviewed by Tom Spargo in issue: November/2024
Pacheco was a co-founder of the legendary Fania Records, and this was the label's first release, as rather than work...
Reviewed by Andy Cumming in issue: November/2024
Macdara Yeates has played no small part in platforming a new generation of Irish folk singers via his stewardship of...
Reviewed by Michael Quinn in issue: November/2024
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