Reviews
¡Así es… Con salsa
Alfredo Gutierrez y Los Caporales del Magdalena
One of the things that puts non-addicts off salsa is the repetition, the predictability, the trance-inducing level tone. For dancers,...
Reviewed by Chris Moss in issue: June/2023
Parranda La Cruz
Based in Lyon, Parranda La Cruz are a vocal and percussion quartet founded by the two female voices, Venezuelan expatriate...
Reviewed by Mark Sampson in issue: June/2023
Passages and Partings
For their first offering as a married duo, Verch & Walters have assembled a garland of gorgeous tunes which showcase...
Reviewed by Jeff Kaliss in issue: June/2023
Le Cri du Caire
This trans-continental collaboration has had a lengthy gestation. It began with a 2013 performance by Egyptian singer and poet Abdullah...
Reviewed by Paul Bowler in issue: June/2023
Son of Africa
Flopping on release by Island Records in 1976 — the label too busy with reggae star Bob Marley to promote...
Reviewed by Russell Higham in issue: August/September/2023
À Moi la Liberté – Early Electronic Raï – 1983-90
VARIOUS ARTISTS | Various Artists
Long summer nights on the coastal strip; hotshots revving their engines; girls checking their makeup in rearview mirrors; the throb...
Reviewed by Nathaniel Handy in issue: August/September/2023
Okemah Rising
Along with 2022's This Machine Still Kills Fascists, Dropkick Murphys’ Okemah Rising stems from a self-directed project, the purpose of...
Reviewed by Doug Deloach in issue: August/September/2023
La Madrugá
This new album from Yasser Tejeda comprises a slick and very enjoyable collection of nine tracks merging two distinct traits...
Reviewed by Philip Sweeney in issue: August/September/2023
Moldavia: Peasant Tunes from the Old Land of Hârlău
Neculai Florea, Nicolae Amarandei, Valentin Bălăşanu
Hârlău is a town in the Romanian region of Moldavia, about 70km from Iaşi. And this record is a deliberate...
Reviewed by Simon Broughton in issue: August/September/2023
Ramuntcho Matta
My, what a curious album this is. If you struggle to determine an overriding aesthetic, that's maybe half the point....
Reviewed by Mark Sampson in issue: August/September/2023
