With one foot in Scotland, the other in Austria and a few other limbs in Sweden and Vienna, Black Market...
Reviewed by Billy Rough in issue: Jan/Feb/2018
Ferhat Tunç's latest album is nicely packaged, with the songs competently translated into English. If you are unfamiliar with the...
Reviewed by Martin Stokes in issue: October/2016
This album has nothing, as far as one can tell, to do with the town on the Caspian Sea or...
Reviewed by Peter Culshaw in issue: July/2013
On her debut album, Aberystwyth-born Georgia Ruth plays harp, piano, reed organ and bells, and her band features multiple guitars,...
Reviewed by Tim Cumming in issue: October/2013
They have been described as a ‘Québécois power trio,’ and the group’s power, apparent in their former stint with La...
Reviewed by Jeff Kaliss in issue: March/2014
The sounds of Afrobeats are not to be mistaken with the music of Fela Anikulapo Kuti. The crucial ‘s’ denotes...
Reviewed by Alex De Lacey in issue: November/2017
There's an intimate warmth and bloom about this classical sitar album, which is largely thanks to Anoushka Shankar's sublime playing,...
Reviewed by Simon Broughton in issue: Aug/Sep/2015
This is an album of powerful instrumental jazz, based on the ancient traditional music of the Dagaare tribe and Guo...
Reviewed by Martin Sinnock in issue: November/2015
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