Reviews
Wild Wet World
Sheldrake’s previous album was the excellent Wake Up Calls, featuring music and sound set to birdsong, in order to ‘help...
Reviewed by Tim Cumming in issue: November/2023
Irish Rock’n’Roll
‘Well here I am from Paddy’s Land,’ sings Charles Hendy in the opening line of ‘The Bauld O’Donoghue’, the first...
Reviewed by Olivia Cheves in issue: November/2023
Sur Mon Dos
Like Manu Chao, Matjé is a musical voyager, who took his artist’s name from the Creole word ‘to write’. The...
Reviewed by Mark Sampson in issue: November/2023
Unheard Landscapes
Haapoja is a Helsinki-based producer and includes one of Finland’s current favourite bands, Okra Playground, among his credits. On Unheard...
Reviewed by Fiona Talkington in issue: November/2023
Hämärä
If you see the name Eero Grundström (Sväng, Suistamon Sähkö) on any release, go for it. It’ll be a bit...
Reviewed by Fiona Talkington in issue: November/2023
Avant Folk Triptyk
Norwegian accordionist Frode Haltli’s third Avant Folk outing has a change of record label, from Hubro to Jazzland, retaining a...
Reviewed by Martin Longley in issue: November/2023
Pod Obločkom
Ondrej Druga is a Slovakian accordionist and he and his ‘friends’ are devotees of the richest area of folk music...
Reviewed by Simon Broughton in issue: November/2023
Mãe
Cristina Branco has always been a bit reluctant to call herself a fadista. And it is not hard to understand...
Reviewed by GonÇalo Frota in issue: November/2023
Caribe
Ana Carla Maza is a woman of true ambition, being a virtuoso cellist, a songwriter and singer and a bandleader....
Reviewed by Kim Burton in issue: November/2023
Conversations We’ve Had Before
With stalwart melodeon player Saul Rose and sympatico guitarist David Delarre, Eliza Carthy has hit on the perfect combination. They...
Reviewed by Julian May in issue: November/2023
