Reviews
Guilherme Coutinho e o Grupo Stalo
Guilherme Coutinho e o Grupo Stalo
Recorded 45 years ago in the north Brazilian town of Belém and released on the Erla - Estudio Rauland label,...
Reviewed by Peter Quinn in issue: August/September/2023
The Ones Ahead
As he entered his seventies, the classically-trained Canada-based singer/composer Glenn-Copeland was lapsing into dignified retirement. Then he made public his...
Reviewed by Nigel Williamson in issue: August/September/2023
City of Gold
With City of Gold, Molly Tuttle and producer/dobro guitar maestro Jerry Douglas have accomplished their self-appointed mission, which was to...
Reviewed by Doug Deloach in issue: August/September/2023
The Wolf and the Lamb: Live at the Shakh
Recorded live in the Shakh Synagogue in Holešov, Czech Republic, The Wolf and the Lamb is a klezmer album that...
Reviewed by Tom Newell in issue: August/September/2023
Pura Sangre
Israel Fernández is one of the biggest names in the younger generation of flamenco cantaores. As such, he stands between...
Reviewed by Jo Setters in issue: August/September/2023
reTORNAR
If you worry that a voice and a double bass might be too frugal fare, no need. Catalan singer, Magalí...
Reviewed by Mark Sampson in issue: August/September/2023
Jolof
An album of complexity, sensitivity and smarts, Jolof takes its name from the kingdom that spanned West Africa – the...
Reviewed by Jane Cornwell in issue: August/September/2023
Moldavia: Peasant Tunes from the Old Land of Hârlău
Neculai Florea, Nicolae Amarandei, Valentin Bălăşanu
Hârlău is a town in the Romanian region of Moldavia, about 70km from Iaşi. And this record is a deliberate...
Reviewed by Simon Broughton in issue: August/September/2023
Grass Roots
What do you get when you mix together musicians from Left Hand String Band and The Salmon Heads? Leftover Salmon,...
Reviewed by Doug Deloach in issue: August/September/2023
Miramar
The traditions of few places in Europe have been as overwritten as those of the Balearic island of Mallorca. Even...
Reviewed by Chris Moss in issue: August/September/2023
