Reviews
Mãe
Cristina Branco has always been a bit reluctant to call herself a fadista. And it is not hard to understand...
Reviewed by GonÇalo Frota in issue: November/2023
Les Voix du Vent Avec Cordes et Piano
Le Vent du Nord, Le Quatuor Trad, Philippe Prud’homme
The title tells what’s different here for Le Vent du Nord, multi-winners of Canadian Folk Music Awards since their formation...
Reviewed by Jeff Kaliss in issue: November/2023
Empire Electric
The new album, Empire Electric, from No-No Boy, the alter ego of rogue folklorist Julian Saporiti, dives into Southeast Asian...
Reviewed by Devon Léger in issue: November/2023
La Novia
An album of Sephardic and traditional songs from Puglia’s La Cantiga de la Serena, a trio made up of Fabrizio...
Reviewed by Maria Lord in issue: November/2023
Switched On
Puerto Rican dubmeister Pachyman left San Juan for Los Angeles a while back, took his Latin Caribbean roots with him...
Reviewed by Max Reinhardt in issue: November/2023
Vol 2 – Yet and Still
Too Sad For the Public | Too Sad for the Public
The latest album by Too Sad for the Public, the dynamic musical aggregation led by composer/songwriter/producer Dick Connette, serves as...
Reviewed by Doug Deloach in issue: November/2023
La Gran Diversión
Out beyond the Buena Vista Social Club there is a piano. Roberto Fonseca will meet you there. Having stoked his...
Reviewed by Jane Cornwell in issue: November/2023
Ojinga’s Own
Formed in 1971 and still going strong with Eze Rockcliffe remaining at the helm, Yoruba Singers were first among equals...
Reviewed by Michael Quinn in issue: November/2023
