This impish New York trio venerate the innovations of Bill Monroe while simultaneously shattering the music he pioneered into tiny...
Reviewed by Spencer Grady in issue: July/2023
Dallahan aficionados will want to know that the Edinburgh-based quartet's fourth studio album suggests something of a new beginning as...
Reviewed by Michael Quinn in issue: July/2023
I stumbled upon this album by chance, via Bandcamp, and I am glad its algorithms led me there.I travelled through...
Reviewed by Neil van der Linden in issue: July/2023
SUBSET (aka Karl Muller) is a New Zealand-born musician/producer/photographer, who has been based in Australia for 20 years. Working out...
Reviewed by Seth Jordan in issue: July/2023
‘My God it's good to see you,’ intones Chris Thile on the opening track of Celebrants, the first all-new album...
Reviewed by Doug Deloach in issue: July/2023
Jaglara is the sound of one man and one keyboard, emanating from the rural al-Fashaga region near the tripoint of...
Reviewed by Jim Hickson in issue: July/2023
Ever since 2017's Tribal Match found its way onto Kampala's dancefloors, Faizal Mostrixx has been a driving force on Uganda's...
Reviewed by Olivia Cheves in issue: July/2023
This unique collection of songs chronicles a sad 40-year period of Pacific history, from 1860 to the turn of the...
Reviewed by Seth Jordan in issue: July/2023
Following the recent fusion-oriented album Enigma, Danish reedsman Bjonko Stosic and band return with a more traditional take on the...
Reviewed by Kim Burton in issue: July/2023
Originally from California, now based in Boston, the young uilleann piper Joey Abarta names his second album after a tune...
Reviewed by Tim Cumming in issue: July/2023
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