Reviews
Brooklyn-Cumaná
New York has long been the hub of Latin-Saxon musical collaborations. Jorge Clem is a Latin Grammy winner and Grammy-nominated...
Reviewed by Chris Moss in issue: January/February/2023
tender
Lady Maisery’s new album is a musical and lyrical exploration of the ambiguities of its one word title, tender. Hazel...
Reviewed by Julian May in issue: January/February/2023
Lios
There’s a fair amount of pedigree behind this fascinating release. Hanna Ekström is one of Sweden’s foremost violinists, having previously...
Reviewed by Chris Wheatley in issue: January/February/2023
Anadolu Ejderi
Whereas earlier albums had more to do with retro-futurism, on Anadolu Ejderi (Anatolian Dragons) past and present collide beguilingly as...
Reviewed by Robert Rigney in issue: January/February/2023
Saudade, Colour of Love
Maria Mendes is a Portuguese jazz singer that has developed her career in The Netherlands for the last 15 years....
Reviewed by GonÇalo Frota in issue: January/February/2023
The Deepest Breath
2020’s Solas an Lae saw Eoghan Ó Ceannabháin striking away from his Skipper’s Alley roots in the company of Ultan...
Reviewed by Michael Quinn in issue: January/February/2023
A Tarot of the Green Wood
The seven songs on this third studio album from Burd Ellen, the Glasgow-based project featuring Debbie Armour and Gayle Brogan,...
Reviewed by Peter Quinn in issue: January/February/2023
Intercosmic
I sometimes recall a faintly surreal encounter outside the Bosnian city of Mostar, a few years after the war, in...
Reviewed by Kim Burton in issue: December/2022
Capacity to Love
What do you do when you’ve performed from atop the Eiffel Tower, sold out such prestigious venues as the Barbican...
Reviewed by Jane Cornwell in issue: December/2022
