Reviews
Love Hurts
Finnish folk quartet ENKEL return with their third studio album, a mix of traditional and contemporary numbers. All four women...
Reviewed by Chris Wheatley in issue: December/2022
The Music of Mohamed Abdel Wahab
Mohamed Abdel Wahab was a titanic figure within Middle Eastern music. Composing for legends such as Egyptian singers Oum Kalthoum,...
Reviewed by Paul Bowler in issue: December/2022
Hope
Soweto Gospel Choir have hit on a winning formula that has brought them three Grammys and performances before president Obama...
Reviewed by Robin Denselow in issue: December/2022
$/He Who Feeds You…Owns You
In a terrific transition from the protest music of their last album, Tolika Mtoliki, The Brother Moves On's fourth record...
Reviewed by Diane Coetzer in issue: December/2022
DanSando
For her sixth album, Portuguese singer-songwriter Luísa Sobral wanted to release ‘an ode to life’ – a drop of medicine...
Reviewed by Chris Moss in issue: December/2022
Badinyaa Kumoo
Long respected as the first internationally successful female kora player, it is more than a decade since Sona Jobarteh's last...
Reviewed by Nigel Williamson in issue: December/2022
Unquenching Fire
As soon as you see the names Miranda Sykes and Hannah Martin together you’re excited. They have two of the...
Reviewed by Nathaniel Handy in issue: December/2022
Window to the World
If anyone should record this ‘Tribute to Milton Nascimento’, then maybe it's this Grammy-nominated singer-pianist. ‘I was born into the...
Reviewed by Mark Sampson in issue: December/2022
La Estrella
Argentina's Chancha Vía Circuito transitioned from being a pioneer of digital cumbia in all its raw, urban, bone-shaking glory to...
Reviewed by Russ Slater in issue: December/2022
Mamarron Vol 1
Mamarron Vol 1 aims to present a modern day representation of the Colombian tropical music scene, playfully dubbed ‘millennial cumbia’....
Reviewed by Charlotte Algar in issue: December/2022
