‘A bad attitude is like a flat tire / You can't go anywhere until you change it,’ declares King Ayisoba...
Reviewed by Doug Deloach in issue: August/September/2023
The morin khuur or two-stringed horsehead fiddle is pretty much the only traditional Mongolian instrument on Hamt Zamin Hümüs. NaraBara...
Reviewed by Michael Ormiston in issue: August/September/2023
Guillem Ballaz is a musician and musical historian who has set out to explore and revitalise the Catalan folk songs...
Reviewed by Robin Denselow in issue: August/September/2023
While this is only Laliboi's second record under his own name, the South African multi-instrumentalist and rapper is by no...
Reviewed by Alex De Lacey in issue: August/September/2023
This new album from Yasser Tejeda comprises a slick and very enjoyable collection of nine tracks merging two distinct traits...
Reviewed by Philip Sweeney in issue: August/September/2023
Singer Mari Kalkun is a native speaker of Võro, an endangered South Estonian language, not easy even for speakers of...
Reviewed by Kim Burton in issue: August/September/2023
This is an album whose appeal grows with repeated plays. Like many artists from the Balkans, vocalist Elena Hristova's first...
Reviewed by Robert Rigney in issue: August/September/2023
Electric Sufi's debut is a dense thicket of influences and personalities, bringing together Manchester-based singer of Kashmiri heritage, Sarah Yaseen,...
Reviewed by Daniel Spicer in issue: August/September/2023
This album is aimed squarely at festival dance music tents and clubs. Afro-Electric DJ ARASHKHA (Arash Khalatbari) is a man...
Reviewed by Max Reinhardt in issue: August/September/2023
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