Reviews
Do Claro ao Breu
Sopa de Pedra are a Portuguese vocal ten-piece that got together ten years ago – which some may know already...
Reviewed by GonÇalo Frota in issue: November/2022
Undertow
When Holly Brandon was seven she was taken to a Show of Hands gig, and was so enthralled by Phil...
Reviewed by Julian May in issue: November/2022
Sê
It’s never easy when someone, unable to fight destiny picks up on the same craft their parents excelled...
Reviewed by GonÇalo Frota in issue: November/2022
Lustuz Laþu Wōþuz Alu
Nordic and Viking culture is currently enjoying a resurgence, not least with the release of big-budget film, The Northman. Which...
Reviewed by Chris Wheatley in issue: November/2022
Shuruaat
This was always going to be slick, the Berklee Indian Ensemble is a collective of musicians with amazing technical skills....
Reviewed by Maria Lord in issue: November/2022
Saath Saath
Purbayan Chatterjee & Rakesh Chaurasia
It is barely nine months since Chatterjee earned a three-page feature in Songlines (December 2021, #173) for his splendid album...
Reviewed by Nigel Williamson in issue: November/2022
The New Faith
Following his impressive 2020 debut album, Spider Tales (reviewed in October 2020, #161), The New Faith fulfils the promise of...
Reviewed by Doug Deloach in issue: November/2022
Long Time to Be Gone
Listening to ‘Jenny Put the Kettle On’, the opening track on Nora Brown’s third full-length album, Long Time to Be...
Reviewed by Doug Deloach in issue: November/2022
Sequana
Since winning best newcomer at the inaugural BBC Radio 3 World Music awards 20 years ago, Massi’s career has followed...
Reviewed by Nigel Williamson in issue: November/2022
Posse of Fireflies
Yorkshire-based Karnatic singer Supriya Nagarajan recalls the India of her youth on this record, which highlights the wonder and mystery...
Reviewed by Liam Izod in issue: November/2022
