Reviews
Connection
The Maghreban, aka Ayman Rostom, is a Guildford native with Egyptian and Saudi roots. This is the second album from...
Reviewed by Olivia Cheves in issue: October/2022
Night Spirit Masters
Recorded live at night in the medina of Marrakech by Billy Youdelman using an Akai digital 12-track and produced by...
Reviewed by Tim Cumming in issue: October/2022
Afterlife
Aussie saxophonist Matt Keegan has spearheaded an extraordinary fusion on Afterlife, combining Indian folk voice and verse with buoyant baritone...
Reviewed by Liam Izod in issue: October/2022
O Ku Ngwo Di Ochi
Oriental Brothers International Band
Fifty years ago the Oriental Brothers were a kind of Nigerian boy band. Hailing from the Igbo-dominated eastern region of...
Reviewed by Nigel Williamson in issue: October/2022
Rade
The adventurous Valencia-based Sardinian composer sets sails navigating on Mediterranean routes after his critically-admired album Jar’a, which appeared to be...
Reviewed by Ciro De Rosa in issue: October/2022
Hermit’s Grove
Wax Machine is the brainchild of Brazilian-born, Italian and British-raised musician Lau Ro. After emigrating to Europe at eight years...
Reviewed by Charlotte Algar in issue: October/2022
Vol II
Twenty years ago, inspired by a series of concerts at the Largo club in Los Angeles where a mad-scientist-in-the-laboratory vibe...
Reviewed by Doug Deloach in issue: October/2022
Noongar Wonderland
Maatakitj (pronounced ‘mart-a-key-tch’ and translated as ‘long legs like a spear’) is the nickname of West Australian musician Clint Bracknell,...
Reviewed by Seth Jordan in issue: October/2022
