Reviews
Imershón
Vernon Chatlein is a composer, theatre maker and musician from Curaçao, an island in the region of the Caribbean that...
Reviewed by Jane Cornwell in issue: January/February/2024
Black Attack
40 years since Mutabaruka’s first studio album, and 14 years since his last, this new release from the Jamaican dub...
Reviewed by Celeste Cantor-Stephens in issue: January/February/2024
Sule Skerry
The thought of a duo comprising nothing more than fiddle and mandolin made me doubtful. Surely these instruments have a...
Reviewed by Tony Gillam in issue: January/February/2024
A Flor de Piel
The contribution and influence of Colombians and a new generation of Anglo-Colombians to the development of Latin music in the...
Reviewed by Kim Burton in issue: January/February/2024
Addis
Born in Addis Ababa in 1970 and growing up in Sweden, Lemma has been making music since his teens but...
Reviewed by Nigel Williamson in issue: January/February/2024
Solar: Sun Ra in Brasil (Red Hot + Ra)
One of the most enigmatic figures in jazz, whose musical legacy and Afrofuturistic mythology stretched way beyond genre limits, this...
Reviewed by Peter Quinn in issue: January/February/2024
When We Fly
Hartwin Dhoore and his younger brother, Ward, are a duo from Rodeland in Belgium. They take their name, Siger, from...
Reviewed by Julian May in issue: January/February/2024
So Far We Have Come
Tamsin Elliott & Tarek Elazhary
English multi-instrumentalist Elliott teams up with Egyptian oud player Elazhary on this absorbing and beautiful set combining the folk cultures...
Reviewed by Tim Cumming in issue: January/February/2024
Jang Fa Jang Kano
Gambian kora player Jaliba Kuyateh was taught the instrument by his father and, according to his biography, if the young...
Reviewed by Tony Gillam in issue: January/February/2024
Yoyi
Launching the Brighton-based label’s new Cuban Classic Series comes this curio from 1977, originally released on the Areito subsidiary of...
Reviewed by Mark Sampson in issue: January/February/2024
