Reviews
No More the Green Hills
‘She Moves Through the Fair’, ‘As I Roved Out’, ‘Johnny, My Man’… Janice Burns and Jon Doran have chosen some...
Reviewed by Julian May in issue: December/2022
Aligned
Itzhak Ventura is a ney specialist, mastering the Persian, Arabic and Turkish variants of this end-blown reed flute. He also...
Reviewed by Martin Longley in issue: December/2022
N’Djila Wa Mudujimu
Lady Aicha & Pisco Crane''s Original Fulu Miziki Band of Kinshasa
This is the DIY eco-punk essence, Congo-style. Everything about Fulu Miziki has been repurposed from material rescued from the junkpile,...
Reviewed by Jim Hickson in issue: December/2022
YTILAER
Bill Callahan's Shepherd in a Sheepskin Vest saw his writing point its focus inwards and take on the enormity of...
Reviewed by Glenn Kimpton in issue: December/2022
Queen of the Whirl
Eliza Carthy & The Restitution
‘I've given blow jobs on couches to men who don't want me anymore’ – that first line of Eliza Carthy's...
Reviewed by Julian May in issue: December/2022
North South East West
Norwegian folk and Arabic maqam engage in an understated courtship on this debut record by violinist Inger Hannisdal. Bass, drums...
Reviewed by Liam Izod in issue: December/2022
Pioneering Women of Bluegrass: The Definitive Edition
In 1965, Who's That Knocking? by Hazel Dickens & Alice Gerrard demolished forever a de facto gender barrier within the...
Reviewed by Doug Deloach in issue: December/2022
Jaku Mumor (Ancestral Spirit)
Born into a family of musicians and storytellers on Ghana's Atlantic coast, Okaidja Afroso learned to sing seafaring songs as...
Reviewed by Nigel Williamson in issue: December/2022
KALAK
Sarathy Korwar is doing for contemporary British-Asian music what Talvin Singh achieved almost 30 years ago – taking Indian rhythms,...
Reviewed by Nigel Williamson in issue: December/2022
Arabesque
Spotted a few years ago by producer Mark Ronson to record a cover of ‘Uptown Funk’ at Abbey Road, the...
Reviewed by Tim Cumming in issue: December/2022
