Reviews
The Living World's Demands
As a first-generation Punjabi-American from Baltimore, Ami Dang uses sitar, voice and electronics to carve a complex identity. She deals...
Reviewed by Jim Hickson in issue: December/2022
Hi-Life Jazz
Hi-Life Jazz is a super-cool and joyously good natured new release from the Ghanaian veteran. This is his 35th album...
Reviewed by Martin Sinnock in issue: December/2022
Njhyi
Hold onto the sides, and open your mind. NOK Cultural Ensemble come at you like a rhythmic juggernaut, fuelled by...
Reviewed by Jane Cornwell in issue: December/2022
Mariage
The Wau Wau Collectif was formed by Karl-Jonas Winqvist from Sweden with an eclectic group of 20 Senegalese contributors after...
Reviewed by Nigel Williamson in issue: December/2022
Apparition
Jambinai's follow-up to the magnificent Onda may be short, but it's another exhilarating and intriguing offering from the deserved winners...
Reviewed by Robin Denselow in issue: December/2022
You, Golden
Owen Spafford & Louis Campbell
You, Golden was apparently recorded live, in a barn and in a smattering of days, but it couldn't sound further...
Reviewed by Sophie Parkes in issue: December/2022
Islais a Genir
In these English-dominated isles, almost any use of the Welsh language becomes a political act. VRï are a trio on...
Reviewed by Nathaniel Handy in issue: December/2022
Joudour
Bekkas has been a Gnawa fusion artist for more than three decades, founding his Gnaoua Blues Band back in 1990,...
Reviewed by Tim Cumming in issue: December/2022
