Reviews
Where’s the One?
Kinshasa’s Congotronic axis meet chosen international artists and create an epic, euphoric mash-up celebrating the tenth anniversary of a historic...
Reviewed by Max Reinhardt in issue: June/2022
Abandoned
Abandoned is a cross-section from Iran’s vibrant and impressively imaginative ‘alternative’ music scene. ‘Bayāt-E-Fārsi’ by Bamdad Afshar is an example...
Reviewed by Neil van der Linden in issue: June/2022
Anyankofo
Total Hip Replacement’s Anyankofo – a Fante word meaning ‘Friends’ – is an album about just that. This is a warm,...
Reviewed by Celeste Cantor-Stephens in issue: June/2022
30: Happy Returns
To celebrate 30 years as a performing musician Kate Rusby has selected songs from her 18 previous albums and recorded...
Reviewed by Julian May in issue: June/2022
Mazel Tov Cocktail Party
David Krakauer | David Krakauer
Clarinettist David Krakauer is the ringleader for this high spirited album that features the Mazel Tov Cocktail Party Orchestra (with...
Reviewed by Garth Cartwright in issue: June/2022
Maputo Electronico
Smadj/Chico Antônio/Rhodalia Silvestre
This new Maputo Electronico combination involves the musical traditions of Mozambique and Tunisia, filtered through a French electronic gauze, its...
Reviewed by Martin Longley in issue: June/2022
Restless Nation: The Music of Andy Teirstein
Andy Teirstein/Marco Ambrosini/Yair Dalal/Mivos Quartet/Cassatt String Quartet
On one hand, ‘world music’ denotes a sound or style resulting from melding instrumentation (including vocalisation) drawn from different cultural...
Reviewed by Doug Deloach in issue: June/2022
The Bend in the Light
Hailing from K’jipuktuk (Halifax), Nova Scotia, classically trained Ellen Gibling’s keen interest in Irish traditional music is given free rein...
Reviewed by Michael Quinn in issue: June/2022
Delta Bound
‘In New Orleans,’ Holly Devon’s liner notes suggest, ‘memories linger in the humid air.’ Under the aegis of guitarist and...
Reviewed by Mark Sampson in issue: June/2022
