Scandinavia in recent years has provided a home for many fine African musicians and the Gambian-born Denmark-based kora player Dawda...
Reviewed by Nigel Williamson in issue: November/2022
Rolling Golden Holy straddles the realms of acoustic roots, indie rock, jazz, folk, country and pop. Drawing upon that mash-up...
Reviewed by Doug Deloach in issue: November/2022
The inherently transcendental sound of virtuoso Tasha Smith Godinez’s harp fits her stated purpose in this recording of celebrating her...
Reviewed by Jeff Kaliss in issue: October/2022
François Robin & Mathias Delplanque
François Robin has been exploring electro-acoustic sounds for nearly 15 years. While his is a multi-instrumentalist, his instrument of choice...
Reviewed by Buzz Bury in issue: October/2022
Two of the purest voices in Irish traditional music – the harp and the flute – combine to beguiling effect on...
Reviewed by Michael Quinn in issue: October/2022
The debut album from this hot young Arnhem Land band follows on from the success of both their live show,...
Reviewed by Seth Jordan in issue: October/2022
Ibrahim Maalouf & Angélique Kidjo
Fusing the West African roots of Angélique Kidjo and the Levantine heritage of the French-Lebanese jazz composer Ibrahim Maalouf, this...
Reviewed by Nigel Williamson in issue: October/2022
The return to the spotlight in 2016 of the veteran Calypso Rose, half-a-century after she was first crowned Trinidad’s carnival...
Reviewed by Nigel Williamson in issue: October/2022
Marian Curtin & Therese McInerney
Nestled on the rugged Atlantic coastline of County Clare, Miltown Malbay has produced poets, politicians (an Irish president among them)...
Reviewed by Michael Quinn in issue: October/2022
Turkish singer Elif Sanchez’s 2021 debut featured jazzy settings of Turkish and Azerbaijani folk songs, with one song in Spanish...
Reviewed by Daniel Spicer in issue: October/2022
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