Forget the lockdown postman and shanty TikTok craze, haul away and pass round the grog, open your gullet and get...
Reviewed by Tim Cumming in issue: October/2022
The last time Songlines reviewed Alliye was for her 2006 release Arrebol, when she was living in Paris as Aline...
Reviewed by Alexander Robinson in issue: October/2022
The effectiveness of melody is a key feature of Milan-based guitarist Val Bonetti’s new album, which comes off the back...
Reviewed by Glenn Kimpton in issue: October/2022
For his first solo album in nine years Apneseth, one of Norway’s most thrilling Hardanger fiddle players, chose to record...
Reviewed by Fiona Talkington in issue: October/2022
This is the first consumer release for the international market by the long-standing duo of Emidio Ausiello and Michele Maione,...
Reviewed by Francesco Martinelli in issue: October/2022
For a band that reportedly sold 500,000 copies of its debut album in 1970 and managed to break the colour...
Reviewed by Nigel Williamson in issue: October/2022
With Spanish guitars having been well established in the Hawaiian islands since the mid-1800s, local 16-year-old guitarist Joseph Kekuku is...
Reviewed by Seth Jordan in issue: October/2022
Five years after stars young and old assembled under the aegis of Australian dancehall producer Jake Dominic ‘Mista’ Savona for...
Reviewed by Mark Sampson in issue: October/2022
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