Recorded live at night in the medina of Marrakech by Billy Youdelman using an Akai digital 12-track and produced by...
Reviewed by Tim Cumming in issue: October/2022
Aussie saxophonist Matt Keegan has spearheaded an extraordinary fusion on Afterlife, combining Indian folk voice and verse with buoyant baritone...
Reviewed by Liam Izod in issue: October/2022
Oriental Brothers International Band
Fifty years ago the Oriental Brothers were a kind of Nigerian boy band. Hailing from the Igbo-dominated eastern region of...
Reviewed by Nigel Williamson in issue: October/2022
The adventurous Valencia-based Sardinian composer sets sails navigating on Mediterranean routes after his critically-admired album Jar’a, which appeared to be...
Reviewed by Ciro De Rosa in issue: October/2022
Wax Machine is the brainchild of Brazilian-born, Italian and British-raised musician Lau Ro. After emigrating to Europe at eight years...
Reviewed by Charlotte Algar in issue: October/2022
Twenty years ago, inspired by a series of concerts at the Largo club in Los Angeles where a mad-scientist-in-the-laboratory vibe...
Reviewed by Doug Deloach in issue: October/2022
Maatakitj (pronounced ‘mart-a-key-tch’ and translated as ‘long legs like a spear’) is the nickname of West Australian musician Clint Bracknell,...
Reviewed by Seth Jordan in issue: October/2022
Originating from Orkney and taking inspiration from the renewable energy innovation of their home isles (track titles relate to their...
Reviewed by Billy Rough in issue: October/2022
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