Reviews
AnásanA
While this is the first solo album from the Greek pianist, singer and composer, it’s certainly not her recording debut....
Reviewed by Russell Higham in issue: July/2022
CAOIN
The debut album from one of Ireland’s most intriguing emerging talents, visual artist and vocalist Ceara Conway, CAOIN (Cry), clothes...
Reviewed by Michael Quinn in issue: July/2022
Genius Loci 2: The Valley of Iron
This is the second part of the Genius Loci project from the prolific instrumental duo of fiddler Adam Summerhayes and...
Reviewed by Nathaniel Handy in issue: July/2022
Don’t Give Up
Born in Kinshasa, Jason Tamba, who began playing guitar at the age of seven on a homemade instrument, went on...
Reviewed by Nigel Williamson in issue: July/2022
Oras Dezaoradas
Lily Henley is a storyteller. Here she weaves traditional Sephardic Jewish ballads (alongside three originals) into her own melodic compositions,...
Reviewed by Celeste Cantor-Stephens in issue: July/2022
For the Love of Tabla
North India’s favourite percussion instrument, the tabla, has always been relegated to being an accompaniment and it was the subservient,...
Reviewed by Jameela Siddiqi in issue: July/2022
Dan Masks
Back in 1984, the renowned ethnomusicologist Hugo Zemp noted the tension he felt between his scientific analysis ‘and the pleasure...
Reviewed by Daniel Brown in issue: July/2022
Bahia Com H
Perhaps because she worked alongside the likes of Chico Buarque, Gilberto Gil and Milton Nascimento – among other Brazilian greats –...
Reviewed by Chris Moss in issue: July/2022
Tall Ships and Tavern Tales
This double album of songs from their two-part stage show of the same name is described by Devon’s self-styled ‘original...
Reviewed by Kevin Bourke in issue: July/2022
