‘In New Orleans,’ Holly Devon’s liner notes suggest, ‘memories linger in the humid air.’ Under the aegis of guitarist and...
Reviewed by Mark Sampson in issue: June/2022
The third studio album from folk singer Nick Hart will ring a bell. With dry humour, he is totting up...
Reviewed by Nathaniel Handy in issue: June/2022
Tenzin Choegyal, Katherine Philp & Camerata – Queensland’s Chamber Orchestra
Yeshi Dolma is the culmination of ten years of collaboration between Tenzin Choegyal from Tibet and Australian Katherine Philp. They...
Reviewed by Michael Ormiston in issue: June/2022
For their second album on the excellent River Lea label, Diarmuid and Brían Mac Gloinn, aka Ye Vagabonds, are joined...
Reviewed by Tim Cumming in issue: June/2022
Orkney-born musician Merlyn Driver grew up listening to the calls of the curlew. It was a sound that made such...
Reviewed by Olivia Cheves in issue: June/2022
Canzuni is a fine assortment of southern Italian folk songs. Calabria-born but a long-time resident of Naples, Ferrante is a...
Reviewed by Ciro De Rosa in issue: June/2022
Tülay German & François Rabbath
Poet, playwright and novelist Nazım Hikmet has cast a huge shadow over Turkish culture for a century. A pioneer of...
Reviewed by Daniel Spicer in issue: June/2022
Sigurd Hole’s previous album was a solo double bass exploration into the environment and atmospheres of his native Norway. Now...
Reviewed by Jim Hickson in issue: June/2022
From the first few bars of the opening title-track, The Sargasso Season resounds with mellifluous beauty stemming from the pairing...
Reviewed by Doug Deloach in issue: June/2022
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