Reviews
Andy Irvine/Paul Brady
Not quite the first reissue as claimed by publicity (a 2008 CD having beaten it to the punch), but a...
Reviewed by Michael Quinn in issue: March/2022
Griot Jazz
Those lucky enough to be backstage for rehearsals of the African opera Le Vol du Boli, taking place at a...
Reviewed by Pierre Cuny in issue: March/2022
Yellow Spaceship
Jacob Gurevitsch is a flamenco guitarist from Denmark. His third album, Yellow Spaceship, sails through a seductive soundscape of flamenco,...
Reviewed by Dan Hobson in issue: March/2022
Ji
This pairing between German ex-Embryo bassist Pollheide and Indian sitar player Imran Khan marks the culmination of seven years of...
Reviewed by Paul Bowler in issue: March/2022
#Mr Lakaaye
Lekan Babalola has an impressive track record as a musician (percussionist and composer/arranger) and filmmaker. One of Nigeria’s outstanding jazz...
Reviewed by Max Reinhardt in issue: March/2022
It’s a Good, Good Thing: The Latin Soul of Fania Records
Fania Records was started by Dominican musician Johnny Pacheco in 1964 with the idea of getting Latin recordings made by...
Reviewed by Garth Cartwright in issue: March/2022
Delta Estácio Blues
Best known as Metá Metá’s vocalist, Marçal spent four years making this album, a lengthy process in which co-producer Kiko Dinucci...
Reviewed by Russ Slater in issue: March/2022
The Lost Tapes
The Lost Tapes is the fourth album from the Owiny Sigoma Band and sadly it celebrates the end of the...
Reviewed by Max Reinhardt in issue: March/2022
Chinook Waltz
When you click the ‘Music’ tab on Over the Moon’s website, the introductory note says, ‘With this album, we tried...
Reviewed by Doug Deloach in issue: March/2022
