Reviews
Day by Day
At 83 years old, Blake is poised to take his place in the Americana pantheon. In the 1960s he made...
Reviewed by Doug Deloach in issue: January/February/2022
Las Fuerzas Almadas
Dat Garcia is the first solo female artist on Buenos Aires’ ZZK Records, which has spearheaded a neo-electro-folk scene in...
Reviewed by Chris Moss in issue: January/February/2022
Zvony
Adrian Myhr & Michaela Antalová
This is a duo recording of Slovak and Norwegian flutes with double bass. The flutes, played by Michaela Antalová, are...
Reviewed by Simon Broughton in issue: January/February/2022
Reggae Dancer
There’s a long and proud tradition of Australian Aboriginal rock-reggae groups, from both remote desert regions and urban cities, that...
Reviewed by Seth Jordan in issue: January/February/2022
Tolika Mtoliki
A dozen years after forming as a performance art and music ensemble in Johannesburg, The Brother Moves On releases one...
Reviewed by Diane Coetzer in issue: January/February/2022
Live at the Floodgate
Pulling off a live album can be tricky; the sound can be inferior to a studio record and it is...
Reviewed by Glenn Kimpton in issue: January/February/2022
Spell Songs II: Let the Light In
You might just catch the diminutive cheep of the wren at the end of ‘St Kilda Wren’ – blink and...
Reviewed by Sophie Parkes in issue: January/February/2022
Yn Rio
Welsh-Brazilian samba might seem an unlikely musical match; even less so with the addition of the BBC National Orchestra of...
Reviewed by Huw Hennessy in issue: January/February/2022
Via de la Plata
Playing an album by a Spanish pianist on ACT Music, you might immediately expect to hear some variety of flamenco...
Reviewed by Jo Setters in issue: January/February/2022
