Beginning with ‘Halfway Around the World’, this gathering of sidemen to the stars (British art-rocker Brian Auger, Elvis Costello drummer...
Reviewed by Doug Deloach in issue: October/2021
Since the 90s Apulian/Roma musician and producer Claudio ‘Cavallo’ Giagnotti has worked to innovate the hugely popular pizzica salentina, exploring...
Reviewed by Francesco Martinelli in issue: October/2021
Back in 2009 South African indie-rockers-with-roots BLK JKS seemed to be on the verge of international stardom: Dave Grohl called...
Reviewed by Nigel Williamson in issue: October/2021
Encore was recorded in 1965 at a live concert in New York and during informal home-recording sessions by producer Peter...
Reviewed by Martin Sinnock in issue: October/2021
Arushi Jain is an Indian-born, classically-trained Hindustani singer. She is also a Brooklyn-based modular synthesizer enthusiast. Using these two powerful...
Reviewed by Jim Hickson in issue: October/2021
Nayan Navaa is Namgar Lhasaranova’s fourth release since she formed the band under her name in 2001. Namgar is a...
Reviewed by Michael Ormiston in issue: October/2021
The premise of Industrial Strength Bluegrass is an intriguing one. In the 1950s and 60s, destitute migrants from the backwoods...
Reviewed by Doug Deloach in issue: October/2021
Oxlip is Vancouver-based multi-instrumentalist and songwriter Jayne Trimble, originally from Northern Ireland, and her philosophy on Your Mother Was a...
Reviewed by Tim Cumming in issue: October/2021
The liner notes that come with the CD claim this is ‘Indo-Baroque meets alt-folk minimalism.’ The ‘Indo’ of this description...
Reviewed by Neil van der Linden in issue: October/2021
Despite the slightly misleading title – many of the artists here are well known in world music circles outside Japan...
Reviewed by James Catchpole in issue: October/2021
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