Marking their 14th record and in their 29th year, Old Blind Dogs kickstart their anniversary celebrations with a blisteringly seductive...
Reviewed by Billy Rough in issue: January/February/2022
Turkish saz player Emre Gültekin has recorded two duo albums with Armenian duduk player Vardan Hovanissian (their Karin was a...
Reviewed by Simon Broughton in issue: January/February/2022
The death of Tony Rice on Christmas Day 2020 robbed bluegrass of one of its most influential musicians. Béla Fleck’s...
Reviewed by Nigel Williamson in issue: January/February/2022
This latest album from Swiss jazz guitarist Nicolas Meier is a collection of originals and improvisations on themes inspired by...
Reviewed by Tom Newell in issue: January/February/2022
Estonian duo Puuluup were absolutely one of the highlights of the last Tallinn Music Week I attended in 2019. Ramo...
Reviewed by Simon Broughton in issue: January/February/2022
When is a duo not a duo? When it sounds like a chorus. Okay, as a joke it perhaps doesn’t...
Reviewed by Sophie Parkes in issue: January/February/2022
Soul Jazz continue their excavation of Cuba’s Areito records with a second volume picking up where the first left off....
Reviewed by Russ Slater in issue: January/February/2022
‘Did you hear the final warning?… Did you hear the people calling?’ The first lines of ‘Hollow’, the opening track...
Reviewed by Julian May in issue: January/February/2022
Kohesia Ensemble is a mix of Persian and Western musicians whom Australian bassist Kate Pass has brought together, and this...
Reviewed by Tom Newell in issue: January/February/2022
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