Former Finnish ballet dancer Maarika Autio went to West Africa to study kora and the diatonic balafon, which is rarely...
Reviewed by Wif Stenger in issue: October/2021
Cameron Knowler | Cameron Knowler & Eli Winter
Knowler’s first full-length solo album offers 14 carefully considered and compelling songs that merge traditional folk with modern sensibilities. Spending his...
Reviewed by Amy Hollinrake in issue: October/2021
Flo Perlin may cite diverse musical influences, given her extensive world travel and her Iraqi and Belarusian heritage, but in...
Reviewed by Sophie Parkes in issue: October/2021
Joe Broughton’s Conservatoire Folk Ensemble
A track on a folk album led by a bassoon! That’s a rare pleasure. In ‘Hole in the Wall/Nabo’, the...
Reviewed by Julian May in issue: October/2021
This is an exciting collaboration from two heavy rock bands exploring traditional music on an album that very much pushes...
Reviewed by Amy Hollinrake in issue: October/2021
This is another stupendous release from the emergent 30M Records. Kamancheh player Saba Alizadeh’s second solo album is an introspective,...
Reviewed by Tom Newell in issue: October/2021
Inception is the inaugural release in the Holo Voyage series by Jivamukti Music, which aims to fuse devotional Sanskrit hymns...
Reviewed by Charlie Cawood in issue: October/2021
A four-time Latin Grammy winner, Brazilian Marisa Monte returns with her first solo studio album in over ten years. Portas...
Reviewed by Chris Wheatley in issue: October/2021
Listen casually to this latest release from the Pau-based label in South-West France and you might mistake its minimalism for...
Reviewed by Mark Sampson in issue: October/2021
Syssi Mananga is a Brussels-based singer-songwriter of Afro-pop leanings and Belgian and Congolese heritage whose debut, Retour aux Sources(Back to...
Reviewed by Jane Cornwell in issue: October/2021
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