“It’s great to be at a point where it’s the music that’s in focus and not where it comes from.”...
Reviewed by Fiona Talkington in issue: Aug/Sep/2021
Takashi Hirayasu & Bob Brozman
Okinawan singer, guitarist and sanshin player Takashi Hirayasu and world music nomad Bob Brozman came together in 1999 to record...
Reviewed by James Catchpole in issue: Aug/Sep/2021
This is an innovative recording from a Canadian husband-and-wife duo who quirkily insist on writing their name in lower case....
Reviewed by Martin Sinnock in issue: Aug/Sep/2021
It took the Helsinki-Cotonou Ensemble until their fifth album and tenth year to go eponymous. It takes time to know...
Reviewed by Jim Hickson in issue: Aug/Sep/2021
Orchestre Tout Puissant Marcel Duchamp
Is this title an exercise in assured bravado and chutzpah for this Geneva-based band’s fifth album, or is it a...
Reviewed by Max Reinhardt in issue: Aug/Sep/2021
Cezary Duchnowski & Radical Polish Ansambl
The idea of fiddlers selling their soul to the devil for special musical gifts or being linked to the supernatural...
Reviewed by Simon Broughton in issue: Aug/Sep/2021
The connection between Wales and the Khasi Hills of north-east India may not be immediately obvious, but it’s the key...
Reviewed by Nathaniel Handy in issue: Aug/Sep/2021
Rey Sapienz & The Congo Techno Ensemble
This is the debut album from Rey Sapienz, who grew up surrounded by the tragedy of the second Congo War...
Reviewed by Max Reinhardt in issue: Aug/Sep/2021
If this album had been credited to Los Hijos de Bruhn you’d be in no doubt that this is the...
Reviewed by Russ Slater in issue: Aug/Sep/2021
This remarkable collection from the always high quality label Sublime Frequencies is one of those rare ones that any music...
Reviewed by James Catchpole in issue: Aug/Sep/2021
Start your journey and discover the very best music from around the world.
Subscribe