Reviews
A Guide to the Birdsong of Western Africa
Following two volumes, the first in South America, and the second spanning Mexico, Central America and the Caribbean, Shika Shika...
Reviewed by Russ Slater in issue: August/September/2022
Many Faces
The cover of this sophomore album by London-based trombonist Justin Thurgur sums up its questing, fizzing, all-for-one spirit. Here, inside...
Reviewed by Jane Cornwell in issue: August/September/2022
Banjophonics
With tune titles including ‘Daisy’s Dance’ and ‘Happy Little Phoebe’ (Daisy and Phoebe being the names of Damien O’Kane’s two...
Reviewed by Kevin Bourke in issue: August/September/2022
Faso Denou
The Master Musicians of Jajouka led by Bachir Attar
The rustic Wiltshire village of Box in the Cotswolds could hardly be more quintessentially English. The Rev W Awdry, who...
Reviewed by Nigel Williamson in issue: August/September/2022
Tell ’Em You Were Gold
In 2007, when Jason and Pharis met at a fiddle jam, the former’s reputation as a banjo luthier extraordinaire was...
Reviewed by Doug Deloach in issue: August/September/2022
Âwât
Having met in Marseille in 2016, Shadi Fathi (setar and shurangiz) and Bijan Chemirani (zarb, daf, percussion) have cultivated a...
Reviewed by Charlie Cawood in issue: August/September/2022
Orchestre Massako
The latest release in Analog Africa’s Limited Dance Edition series throws the spotlight on Gabon’s Orchestre Massako, founded by Jean-Christian...
Reviewed by Nigel Williamson in issue: August/September/2022
Bak Lås Og Slå
From thieves to murderers this is a collection of songs about outcasts of Norwegian society in the 19th century. With...
Reviewed by Fiona Talkington in issue: August/September/2022
The Lions We Are
Dantchev:Domain | DANTCHEV:DOMAIN
Atmospheric and cinematic, The Lions We Are is a journey across spaces and sensations. Permeated by a playful experimentalism, this...
Reviewed by Celeste Cantor-Stephens in issue: August/September/2022
Slow Dance, Square Dance, Barn Dance
Slow Dance, Square Dance, Barn Dance delivers straight up traditional bluegrass balladry and honky-tonk crooning with authentic aplomb. Canadian-based, The...
Reviewed by Doug Deloach in issue: August/September/2022
