The Transylvanian village of Szék occupies an important place in the Hungarian folk tradition. It’s situated in Romania, but the...
Reviewed by Simon Broughton in issue: August/September/2022
From the first beats of ‘I Wanna Talk to You’, the opening track of Eccodek’s fifth studio album Recalibrate, you...
Reviewed by Olivia Cheves in issue: August/September/2022
When the first track opens with ominous flat thrums of a bass guitar that make way for dissonant synth tones,...
Reviewed by Jim Hickson in issue: August/September/2022
The Island Girls are accordionist Karen Tweed and piano and fiddle player Margaret Robertson, MBE. The Islands are Orkney, where...
Reviewed by Julian May in issue: August/September/2022
Hailing from County Tyrone’s Clogher Valley and formed in 2015, The Blackwater Céilí Band have been carving out a name...
Reviewed by Michael Quinn in issue: August/September/2022
Anoushka Shankar & Metropole Orkest with Jules Buckley & Manu Delago
Sitarist Anoushka Shankar here joins forces with the Netherlands-based Metropole Orkest and handpan performer Manu Delago on a purely instrumental...
Reviewed by Maria Lord in issue: August/September/2022
Misagh Joolaee & Sebastian Flaig
A collaboration between Iranian kamancheh (spike fiddle) player Misagh Joolaee and German percussionist Sebastian Flaig, this album explores new instrumental...
Reviewed by Tom Newell in issue: August/September/2022
The songs on Argentinian producer and guitarist Ignacio Lusardi Monteverde’s new album are mostly originals, but much emphasis is made...
Reviewed by Jo Setters in issue: August/September/2022
This is the fifth album from the Senegalese griot and kora player who has been UK based for the last...
Reviewed by Martin Sinnock in issue: August/September/2022
Gather around the campfire… Bush Gothic have 12 tracks’ worth of tales to tell. Of convicts and cattle wranglers, miners...
Reviewed by Jane Cornwell in issue: August/September/2022
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