Reviews
Unquenching Fire
As soon as you see the names Miranda Sykes and Hannah Martin together you’re excited. They have two of the...
Reviewed by Nathaniel Handy in issue: December/2022
Window to the World
If anyone should record this ‘Tribute to Milton Nascimento’, then maybe it's this Grammy-nominated singer-pianist. ‘I was born into the...
Reviewed by Mark Sampson in issue: December/2022
La Estrella
Argentina's Chancha Vía Circuito transitioned from being a pioneer of digital cumbia in all its raw, urban, bone-shaking glory to...
Reviewed by Russ Slater in issue: December/2022
Mamarron Vol 1
Mamarron Vol 1 aims to present a modern day representation of the Colombian tropical music scene, playfully dubbed ‘millennial cumbia’....
Reviewed by Charlotte Algar in issue: December/2022
Roi Du Ziglibithy
This reissue collects four tracks by Ernesto Djédjé, the guitarist from Ivory Coast who made his first singles in Paris,...
Reviewed by Martin Longley in issue: December/2022
No More the Green Hills
‘She Moves Through the Fair’, ‘As I Roved Out’, ‘Johnny, My Man’… Janice Burns and Jon Doran have chosen some...
Reviewed by Julian May in issue: December/2022
Aligned
Itzhak Ventura is a ney specialist, mastering the Persian, Arabic and Turkish variants of this end-blown reed flute. He also...
Reviewed by Martin Longley in issue: December/2022
N’Djila Wa Mudujimu
Lady Aicha & Pisco Crane''s Original Fulu Miziki Band of Kinshasa
This is the DIY eco-punk essence, Congo-style. Everything about Fulu Miziki has been repurposed from material rescued from the junkpile,...
Reviewed by Jim Hickson in issue: December/2022
YTILAER
Bill Callahan's Shepherd in a Sheepskin Vest saw his writing point its focus inwards and take on the enormity of...
Reviewed by Glenn Kimpton in issue: December/2022
Queen of the Whirl
Eliza Carthy & The Restitution
‘I've given blow jobs on couches to men who don't want me anymore’ – that first line of Eliza Carthy's...
Reviewed by Julian May in issue: December/2022
