Take a pair of harmonising female vocalists, ask them to record outside a one-room cabin on an island off Washington...
Reviewed by Motez Bishara in issue: October/2024
Frango Elétrico’s name comes from the bastardisation of their original surname, Fainguelernt, and while Elétrico’s 2018 debut with its indie...
Reviewed by Andy Cumming in issue: October/2024
Originally from Mauritius, violinist-vocalist Véronique Serret is an Australian-based musician, known for her evocative compositions and performances. Bridging across film...
Reviewed by Seth Jordan in issue: October/2024
Punchy Balkan brass, bubbling dub rhythms and piquant punk guitar riffs jostle joyously on this first offering from Montréal-based Dumai...
Reviewed by Simon Cross in issue: October/2024
Fifty years after its original release, this long out-of-print album has been remastered and reissued on vinyl and digital form....
Reviewed by Mark Sampson in issue: October/2024
Citing Norwegian chamber-prog band Meer and composer Bear McCreary as influences, The Crooked Fiddle Band’s new and lengthily-titled album comprises...
Reviewed by Tom Newell in issue: October/2024
Pioneering banjo player, composer, and a key leading lady of bluegrass, Alison Brown wears many...
Reviewed by Devon Léger in issue: October/2024
Tel Aviv-based quartet Sababa 5’s third full-length album in as many years is, in fact, a compilation of the A...
Reviewed by Daniel Spicer in issue: August/September/2024
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