The story of jazz in Brazil is one of innovation, inclusivity and influence. Seeping into many of the country’s other...
Reviewed by Justin Turford in issue: August/September/2024
Migratum is the Chicago trio’s debut album, building in form, beats complexity and melodies from 2019’s self-titled EP. The term...
Reviewed by Charles De Ledesma in issue: August/September/2024
Hailing from the remote Nhulunbuy region in northeast Arnhem Land, bandleader Andrew Minyapa Gurruwiwi is also a popular broadcaster on...
Reviewed by Seth Jordan in issue: August/September/2024
Emma Donovan & The Putbacks | Emma Donovan
When Australian Indigenous singer Emma Donovan was little, her mother regularly entered her in country music busking and talent competitions....
Reviewed by Seth Jordan in issue: August/September/2024
With a cover aping Roxy Music’s debut album, Linda Thompson launches her proxy project – with family and friends including...
Reviewed by Tim Cumming in issue: August/September/2024
Polish outfit Polski Piach’s third album, Anomalia sees them return with a new angle on their brand of folk-blues. The...
Reviewed by Olivia Cheves in issue: August/September/2024
The eccentric genius of Eblis Álvarez’ Meridian Brothers project is now 12 albums deep. The Colombian magician’s unrivalled capacity for...
Reviewed by Justin Turford in issue: August/September/2024
Glasgow-based singer and fiddle player Collier’s debut album Uddevalla is a strikingly global and atmospheric selection of songs and tunes...
Reviewed by Billy Rough in issue: August/September/2024
If you’re anything like me, you only need three words to make you want to listen to this: Libyan Touareg...
Reviewed by Jim Hickson in issue: August/September/2024
Riccardo Tesi & Claudio Carboni
Tesi, a specialist of the organetto, after 30 years produces another tribute to ballo liscio, a hugely popular form of...
Reviewed by Francesco Martinelli in issue: August/September/2024
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