Reviews
3
Anyone who caught the concert at London’s Barbican last year by veteran South African jazz pianist Abdullah Ibrahim will know...
Reviewed by Nigel Williamson in issue: March/2024
The King of Misery
Daudi Matsiko, a British-Ugandan singer-songwriter, delivers a debut album from a vulnerable chapter in his life, that expands what is...
Reviewed by Marie Bashiru in issue: March/2024
All That Remained
If there was any naiveté on show in Lucidvox’s last album, We Are, it has surely been worn away by...
Reviewed by Simon Cross in issue: March/2024
Échos des Mers du Nord
Considering their deep and mutual love for Nordic music, it’s not hard to see why Québécois foursome Nordri’s debut, Échos...
Reviewed by Andrew Daly in issue: March/2024
Udolç
The Càntut collection is a project dedicated to collecting and disseminating music orally transmitted in the region of Girona, in...
Reviewed by GonÇalo Frota in issue: March/2024
Cuckoo Storm
Marry Waterson & Adrian Crowley
Marry Waterson has delivered an eclectic array of duet recordings over the past decade or so, from 2011’s The Days...
Reviewed by Tim Cumming in issue: March/2024
Deep of Time
Cory Seznec’s fourth album, Deep of Time, conceived and produced during the COVID-19 lockdown, presents a contemplative, metaphysical, ethereal side...
Reviewed by Doug Deloach in issue: March/2024
Chaos
On first play of this sparkling debut album from Nigerian 12-piece Lagos Thugs, it’s hard to believe you’re not listening...
Reviewed by Russel Higham in issue: March/2024
Dusa
Monika Wierzbicka is no newcomer to the Polish music scene. Active since the early 2000s, she co-founded a pop band...
Reviewed by Michał Wieczorek in issue: March/2024
Celebration
Like many of their Oceanic compatriots, ever since their 2013 debut California-based quartet Common Kings have managed to craft a...
Reviewed by Seth Jordan in issue: March/2024
