Reviews
Early Life Forms
This feast for axe freaks captures the live debut of a new supergroup assembled by Brussels-based multi-instrumentalist and sound sculptor...
Reviewed by Spencer Grady in issue: March/2024
The Night Dwells in the Day
Jozef Van Wissem | Jozef van Wissem
Josef Van Wissem is on a mission, to transform the image of that ancient instrument, the lute, and “to update...
Reviewed by Robin Denselow in issue: March/2024
Acoustic Live
A mainstay of Seattle’s indie scene in the early 2000s, Balkan punk rockers Kultur Shock are back with a surprising...
Reviewed by Devon Léger in issue: March/2024
Hon Muru (Bears Ears)
The landscape of the Southwestern United States is at the heart of this new recording by Hopi singer Clark Tenakhongva....
Reviewed by Marc Fournier in issue: March/2024
Musow Dance
When Les Amazones d’Afrique gave their debut British concert at WOMAD, back in 2016, they sounded gloriously original. Here were...
Reviewed by Robin Denselow in issue: March/2024
Waillee Waillee
Released in 1978, Waillee Waillee is the second full-length album from Dorothy Carter, composer, Mediæval Bæbes founder and master of...
Reviewed by Olivia Cheves in issue: March/2024
Duniama
The Jarabi Band was formed a decade ago when Mohamed Camara, a Guinean-born, Australian-based kora player, songwriter and vocalist, and...
Reviewed by Nigel Williamson in issue: March/2024
South Atlantic Blues
South Atlantic Blues was first released in 1968, at the same time as Van Morrison’s Astral Weeks. While Morrison’s album...
Reviewed by Tony Gillam in issue: March/2024
We Know by the Moon
The Anglo-Scottish quartet celebrate a decade of music making with their fourth album, We Know by the Moon. Emily Portman,...
Reviewed by Tim Cumming in issue: March/2024
