Reviews
When I’m Called
North Carolinian troubadour Jake Xerxes Fussell has made his name rehoming other people’s words, regaling their dusted-down fables in a...
Reviewed by Spencer Grady in issue: August/September/2024
Birth & Death
Scottish jazz saxophonist-composer Phil Bancroft founded the Myriad Streams label as a grass-roots alternative to the overwhelming choices of platforms...
Reviewed by Jane Cornwell in issue: August/September/2024
Keep Me on Your Mind/See You Free
With Keep Me on Your Mind/See You Free, Bonny Light Horseman deliver a capacious collection of acoustic Americana. The process...
Reviewed by Doug Deloach in issue: August/September/2024
Neynik (Mirror)
Listening to Neynik, if there is one thing that we would not suspect, it is that Eléonore is French… This...
Reviewed by Anne Girard Esposito in issue: August/September/2024
The Handover
The Handover are a trio of Aly Eissa, Ayman Asfour and Jonas Cambien, their eponymous debut consisting of two epic...
Reviewed by Tim Cumming in issue: August/September/2024
From the Ground
Laura-Beth Salter & Ali Hutton
Nature now can be attributed as a band member on albums and songs, and it should see royalties pour down...
Reviewed by Tim Cumming in issue: July/2024
Amrak Seedna & Abtal Wa Harameyah
Ziad Rahbani is the son of Lebanese icon Fairuz and famed composer Assi Rahbani and a living legend in Lebanon,...
Reviewed by Jane Cornwell in issue: July/2024
All You Need is Death
All You Need is Death is the first cinematic soundtrack from Lankum’s Ian Lynch. The film of the same name...
Reviewed by Olivia Cheves in issue: July/2024
