This seasoned Brazilian musician and producer’s first solo album seems designed to divide opinion but challenge indifference. The minimalist minute-long...
Reviewed by Mark Sampson in issue: January/February/2024
The Aymara herders of Bolivia refer to three annual seasons: Lupi Pacha (dry season), Jallu Pacha (rainy season) and Thaya...
Reviewed by Tom Newell in issue: January/February/2024
In recent years Cuba’s Santería religion, a vigorous survival of West African religious practices reconstituted as Catholic adoration of the...
Reviewed by Kim Burton in issue: January/February/2024
Now here’s a real oddity. Jono Heyes is a New Zealander who apparently lives in a gypsy wagon on the...
Reviewed by Robin Denselow in issue: January/February/2024
Bandleader (although he prefers the title ‘Ethio Musicologist’) Teferi Assefa, from Addis Ababa, earned his Masters degree in Jazz Drumming...
Reviewed by Russell Higham in issue: January/February/2024
Mireya Ramos & The Poor Choices
Two-time Latin Grammy award-winner Mireya Ramos has released her second album, Sin Fronteras, co-produced with Beau Bledsoe, founder/director of chamber...
Reviewed by Huw Hennessy in issue: January/February/2024
Laso, a key figure in contemporary Argentine tango, teams up with producer Aldo ‘Macha’ Asenjo of Chilean cumbia outfit Chico...
Reviewed by Charis McGowan in issue: January/February/2024
Sweden has proved to be a fertile home in exile for many African musicians, among them the Sudanese singer and...
Reviewed by Nigel Williamson in issue: January/February/2024
M Mashabi & His Kelana Ria Orchestra
This collection is a precious insight into the music scene of 1960s Indonesia. Formed by Adi Karso and Munif Bahasuan,...
Reviewed by Shukri Habib Ali in issue: January/February/2024
In the last ten years, Belgian record label Planet Ilunga has been on a mission to share a remarkable treasure...
Reviewed by Lucy Hallam in issue: January/February/2024
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