There is no doubting the devotion with which sarod player Chinmaya Dunster, the progenitor of MELA, approaches his musical projects....
Reviewed by Tom Newell in issue: May/2021
Just when you weren’t waiting for a steaming chiva bus up to the mountains of the Colombian coast, along come...
Reviewed by Chris Moss in issue: May/2021
For Black Country native Jon Wilks’ third album he has eschewed the fuller arrangements of 2018’s Midlife for a lean...
Reviewed by Glenn Kimpton in issue: May/2021
Well, here is a bit of fun. Orkney-based big band The Chair are a formidable and electrifying presence. With a...
Reviewed by Billy Rough in issue: May/2021
In 2018 the Malian guitarist Anansy Cissé and his band were travelling to a festival in his hometown of Diré...
Reviewed by Nigel Williamson in issue: May/2021
Shez Raja is the kind of bass player who eschews the back row in favour of centre stage. In the...
Reviewed by Liam Izod in issue: May/2021
With Boston fiddler McNally leading the charge, the Katie McNally Trio have been steadily making waves since their 2016 debut...
Reviewed by Billy Rough in issue: May/2021
Close to two decades ago painter, poet and musical polymath, Piers Faccini, released his solo debut on Label Bleu. Since...
Reviewed by Nigel Williamson in issue: May/2021
Truly a concept rather than a story, this comes at you ‘packed with utopia and sermons for righteous earthlings… those...
Reviewed by Max Reinhardt in issue: May/2021
In the 19th century, the once orally transmitted modal tradition of Persian classical music was canonised into a repertoire known...
Reviewed by Charlie Cawood in issue: May/2021
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