Reviews
Simigwa
On the opening track of this album, which was originally released in 1975, the Ghanaian bandleader Gyedu-Blay Ambolley recites a...
Reviewed by Nigel Williamson in issue: November/2018
Sway
Gérald Toto has kept us waiting seven years for a new solo album. The French-Antillean multi-instrumentalist does not disappoint with...
Reviewed by Dan Hobson in issue: November/2018
The Alchemy
Very often discs that are presented as fusion are rather samey and do not so much fuse a number of...
Reviewed by Maria Lord in issue: November/2018
The Seeds Inside (The Grapes Upon The Vine)
Drawing on old-time Americana and country as well as soaking up influences of traditional English folk music, this South London...
Reviewed by Kevin Bourke in issue: November/2018
Quest
Although dwelling in Berlin, the Out of Nations six-piece soon discovered that each of them had passports for different countries,...
Reviewed by Martin Longley in issue: November/2018
Herencia de la Tierra Mía
The mariachi spectacle – much like the burrito and margarita – is all too easy to bastardise. Wandering spangle-suited musicians...
Reviewed by Chris Moss in issue: November/2018
Hummingbird
John Smith's rich and distinctive honeyed, gravelly vocals and deft fingerpicking guitar have featured prominently in folk projects such as...
Reviewed by Tim Cumming in issue: November/2018
Haven
We Banjo 3's infatuation with bluegrass puts down its deepest roots yet in this fervent follow-up to 2016's String Theory....
Reviewed by Michael Quinn in issue: November/2018
Dur-Dur of Somalia: Volume 1 & Volume 2
They were the biggest band in 1980s Somalia, huge across the whole Horn of Africa, and they're not completely unknown...
Reviewed by Jim Hickson in issue: November/2018
