Animanz are three musical childhood friends, based in London, who front a collective committed to playing party tunes in which...
Reviewed by Mark Sampson in issue: November/2018
German group Pulsar Trio have transplanted the emblematic instrument of Hindustani classical music – the sitar – into a northern...
Reviewed by Liam Izod in issue: November/2018
Kyab Yul-Sa is a collaboration between Lobsang Chonzor and French musicians Margaux Liénard (fiddle, bouzouki) and Julien Lahaye (percussion). The...
Reviewed by Thomas Williams in issue: November/2018
The resurgent interest in Afro-Colombian music continues with this album by Son Palenque, who, in the 1980s, helped popularise the...
Reviewed by Russ Slater in issue: November/2018
Mordechai Beck & the Aspaklaria Group
The word aspaklaria has contrasting definitions in the Jewish Talmud: one rabbi defines it as a mirror, while another claims...
Reviewed by Asher Breuer-Weil in issue: November/2018
If you ever needed proof that music can be transportive, then this is it. From the moment the groove drops...
Reviewed by Russ Slater in issue: November/2018
Christopher King is a collector of music from Epirus, the rugged northwestern Greek territory. He has compiled four previous CDs,...
Reviewed by Marc Dubin in issue: November/2018
Temptation has rarely sounded this exuberant. Inspired by the biblical theme of the temptation of Saint Anthony, the Yves Lambert...
Reviewed by Li Robbins in issue: November/2018
Groundation are a reggae group who formed at Sonoma State University in 1998. The original members were all studying jazz...
Reviewed by Garth Cartwright in issue: November/2018
Jeremy Kittel's last album, Chasing Sparks, is one of the most perfect fiddle albums you could ever hope to hear....
Reviewed by Merlyn Driver in issue: November/2018
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