Buffy Sainte-Marie was one of the breakout stars of the early 1960s Greenwich Village folk scene. Not only was she...
Reviewed by Garth Cartwright in issue: April/2018
Recorded with minimal equipment in a makeshift studio in their hometown of Niamey, the third international release from Niger's Tal...
Reviewed by Nigel Williamson in issue: April/2018
This group of French avant-garde jazz improvisers are not always an easy listen, but there are rewards to be had...
Reviewed by Howard Male in issue: April/2018
The members of Effra have both high-quality musicianship and integrity. They carry both lightly – banter at their gigs is...
Reviewed by Richard Gray in issue: April/2018
A big welcome back to Sam Carter and Jim Moray, whose debut album under the guise of False Lights, Salvor,...
Reviewed by Tim Cumming in issue: April/2018
Co-founder of Breabach Patsy Reid is one of the finest fiddle players working the Scottish scene today. A Glint O’...
Reviewed by Billy Rough in issue: April/2018
Jess Distill, Hannah Elizabeth and Katy Pilkington discovered a mutual love of folk music after spending their school years together...
Reviewed by Kevin Bourke in issue: April/2018
While she could play the tragic heroine with a bleeding heart with the best of them, Chavela Vargas was also...
Reviewed by Chris Moss in issue: April/2018
In 1973, the Norfolk singer Peter Bellamy came across the story of Susannah Holmes and Henry Kable, who, their death...
Reviewed by Julian May in issue: April/2018
This album is here, there and everywhere. Meaning it is jazz; it is traditional Arabic folk; it is avant-garde; it...
Reviewed by Yousif Nur in issue: April/2018
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