Reviews
Chaos
The French multi-instrumentalist's 26th album begins with the sound of rain and distant thunder, out of which comes a tremulous...
Reviewed by Howard Male in issue: December/2017
Right at Home: Live at Mount Hooley
Dan Walsh is a busy man. Hot on the heels of his excellent solo record earlier in 2017, Verging on...
Reviewed by Tim Woodall in issue: December/2017
Between the Earth and the Sky
Words like ‘maverick’ and ‘beatnik’ have been liberally seasoning the many reviews of the music of Lankum – formerly known...
Reviewed by Glenn Kimpton in issue: December/2017
Under Burning Skies
Breaking news: Souljazz Orchestra have discovered the synthesizer. But not in a bad way. After 15 years together, frequent tours,...
Reviewed by Mark Sampson in issue: December/2017
The Original Sound of Burkina Faso
Bordered by Mali, the Ivory Coast, Ghana, Togo, Benin and Niger, and with a population that spans some 60 different...
Reviewed by Nigel Williamson in issue: December/2017
Time Captain
Contemporary bluegrass- and rag-based groups often write and arrange their material to appeal to contemporary listeners – which might mean...
Reviewed by Jeff Kaliss in issue: December/2017
Cold Like Stones
Ecuadorean-born Coca Tenorio has a powerful, plangent voice. Settling in the Highlands of Scotland, she's imbibed that country's liking for...
Reviewed by Chris Moss in issue: December/2017
The Bird Who Sings Freedom
Though this is the debut album from Wiltshire folk singer Georgia Lewis, she has been performing as a trio with...
Reviewed by Nathaniel Handy in issue: December/2017
Northbound
There is a lot to like about this debut album from Newcastle-based four-piece Assembly Lane. Comprising mandolin player Tom Kimber,...
Reviewed by Tim Cumming in issue: December/2017
Afterglow
After Bellowhead disbanded in 2016, Jon Boden set about regrouping his band The Remnant Kings to record Afterglow, with fellow...
Reviewed by Tim Cumming in issue: December/2017
