Something must be wrong with my ears. Every advance review of Turmoil & Tinfoil, the debut album by Nashville-based fourth-generation...
Reviewed by Doug Deloach in issue: December/2017
Since her debut in 2000, Canadian fiddler April Verch has sounded ever more confident both at soloing and at supporting...
Reviewed by Jeff Kaliss in issue: December/2017
Hermeto Pascoal & Grupo Vice Versa
Widely regarded as Brazil's most preternaturally gifted musician, Hermeto Pascoal has covered an incredible amount of creative ground in his...
Reviewed by Brendon Griffin in issue: December/2017
It's become fashionable – or at least SEO-savvy – to give records epic subtitles. This album's subtitle is ‘The Sound...
Reviewed by Chris Moss in issue: December/2017
The follow-up to 2014's Lullaby and… The Ceaseless Roar is hardly a world music album in any conventional sense. But...
Reviewed by Nigel Williamson in issue: December/2017
As a more globalised world emerged in the 1960s and 70s, the Swedish jazz drummer Bengt Berger (aka Beche) kept...
Reviewed by Liam Izod in issue: December/2017
On reading that Robert Wyatt came out of retirement to produce Vasconcelos' eighth album (having previously worked with her on...
Reviewed by Howard Male in issue: December/2017
Bringing together musicians from Turkey, Serbia and the Czech Republic, bassist Tomáš Liška here draws upon a shared musical language...
Reviewed by Tom Newell in issue: December/2017
Swedish innovator Juhani Silvola is set to release another three albums on his Eighth Nerve label after this – one...
Reviewed by Glenn Kimpton in issue: December/2017
This Piedmont outfit, led by Enzo G Conti, mark their 40th anniversary here, presenting 21 rarities and live recordings, celebrating...
Reviewed by Ciro De Rosa in issue: December/2017
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