Reviews
Hieroglyphs that Tell the Tale
Karan Casey showcases her hybrid influences here with this Irish/American fusion. Previously with the prolific and well-known group Solas, this...
Reviewed by Tom Newell in issue: Jan/Feb/2019
Ghost Gamelan
For their latest collaboration singer Susheela Raman and guitarist Sam Mills team up with Indonesian composer Gondrong Gunarto on this...
Reviewed by Martin Longley in issue: Jan/Feb/2019
Music from Greece
In the summer of 1979, Greek folk singer Domna Samiou (1928-2012) toured Sweden (with a band and dance troupe) performing...
Reviewed by Garth Cartwright in issue: Jan/Feb/2019
Safari Boots
Safari Boots are a simple trio of guitar, bass and drums performing African guitar music with influences of predominantly Congolese...
Reviewed by Martin Sinnock in issue: Jan/Feb/2019
20 Years
‘As you know, we play music of various countries and peoples,’ says vocalist Mitia Khramtsov in Russian on the live...
Reviewed by Simon Broughton in issue: Jan/Feb/2019
Through the Wild
For their second album, this Americana-leaning group have stepped unabashedly into festival-friendly folk-pop-rock, complete with bold, dramatic choruses and songs...
Reviewed by Matt Milton in issue: Jan/Feb/2019
Lemma
Hailing from the Saoura region of southern Algeria, Lemma are a group of 11 female artists whose name, in their...
Reviewed by Russell Higham in issue: Jan/Feb/2019
El Ndjoum
Algerian singer Sofiane Saidi and Mazalda, a rai-crazy band of seven funky exponents of electronic and acoustic sounds, collaborate successfully...
Reviewed by Marwan Shamiyeh in issue: Jan/Feb/2019
Muutused/Zminy
Svjata Vatra were formed in 2005 when Ukrainian singer and trombonist Ruslan Trochynskyi moved to Estonia and teamed up with...
Reviewed by Tony Gillam in issue: Jan/Feb/2019
Memory Drop
After losing such strong musical personalities as founding members Sophie Solomon and Lemez Lovas, a less dedicated and stubborn band...
Reviewed by Nigel Williamson in issue: Jan/Feb/2019
