Reviews
Au Coeur de l’Aube
The Québécois trio of fiddler Pascal Gemme, guitarist Yann Falquet and relative newcomer flautist/accordion player Nicholas Willams deliver their eleventh...
Reviewed by Tim Cumming in issue: December/2023
Me Chama de Gato Que Eu Sou Sua
A pleasant surprise that the ‘electric chicken’ follows up their Latin Grammy-nominated second LP with an album full of upbeat...
Reviewed by Andy Cumming in issue: December/2023
Marimbitiaos
The electronica-ethnic music dialogue is at least half a century old. The most inspiring aspect of the current scene is...
Reviewed by Chris Moss in issue: December/2023
Sun to Sun
Sun to Sun came together when Alice Gerrard and Tatiana Hargreaves were huddled in place during the COVID-19 pandemic reviewing...
Reviewed by Doug Deloach in issue: December/2023
Harmonizing Soweto: Golden Gospel & Kasi Soul from the new South Africa
Diepkloof and its neighbour, Meadowlands, were created as new zones in Soweto in the late 50s to accommodate those forcibly...
Reviewed by Nigel Williamson in issue: December/2023
Tëd ak Mame Coumba Lamba ak Mame Coumba Mbang
This album acts as a sequel to Ifriqiyya Electrique’s recordings on Glitterbeat (2017-2019), which involved a collab between Putan Club...
Reviewed by Martin Longley in issue: December/2023
Noir Anima
Labelle is Jérémy Labelle, from La Réunion. On this third solo album he’s set out to formulate the fledgling genre...
Reviewed by Martin Longley in issue: December/2023
Rêve du Troubadour
Given his status as the fiddle player and vocalist for the Grammy-winning Los Bayou Ramblers, no one would have blamed...
Reviewed by Andrew Daly in issue: December/2023
Black Beauty
Originally released on the Soweto label back in 1975, Black Beauty is a classic album of early South African township...
Reviewed by Robin Denselow in issue: December/2023
