Reviews
Iboto Ngenge
A fine balance of danceable music which pushes the boat out sonically and a sound firmly rooted in Congolese rumba...
Reviewed by Nik Hann in issue: May/2024
Needlefall
The music on Needlefall is borne of one region, but two worlds. It finds Durham, North Carolina guitar- and-fiddle duo...
Reviewed by Spencer Grady in issue: May/2024
Amghar: The Godfather of Tuareg Music – Vol One
The style of Touareg guitar music known to the world as ‘desert blues’ and to the musicians themselves as assouf...
Reviewed by Nigel Williamson in issue: May/2024
Little Sun
Austin, Minnesota’s Charlie Parr is leaving behind the country-blues derivations of his earliest works. For all their ramshackle charms, albums...
Reviewed by Spencer Grady in issue: May/2024
Extinct But Still Alive
This is Finnish music collective Mama Longhorn’s fourth album in a 13-year career which has seen them acclaimed as among...
Reviewed by Chris Wheatley in issue: May/2024
Cara de Espelho
No one by now can be ignorant of the far-right rise all over the world. In Portugal, the alarm is...
Reviewed by GonÇalo Frota in issue: May/2024
Monsieur MÂLÂ
Monsieur MÂLÂ, a Parisian jazz fusion quintet, emerges from the shadows of supporting roles for musicians like Blick Bassy, Mayra...
Reviewed by Lucy Hallam in issue: May/2024
Oyoun Al Kalam
Ramzi Aburedwan & Dal’Ouna Ensemble
Originally recorded in 2007, Oyoun Al Kalam, by multi-instrumentalist Ramzi Aburedwan & Dal’Ouna Ensemble finally gets a digital release 17...
Reviewed by Yousif Nur in issue: May/2024
Algo-Ritmo: Mexican Institute of Sound Hits 2004-2024
This compilation of 24 songs spans the two-decade career of Mexican Institute of Sound, aka Camilo Lara. Named as one...
Reviewed by Jenna Mackle in issue: May/2024
