Reviews
Camaleão Borboleta
With 12 years behind them and half a dozen albums and EPs to their name, Graveola are one of the...
Reviewed by Russ Slater in issue: November/2016
Ballads of the Broken Few
Seth Lakeman featuring Wildwood Kin
The sound of Devon singer-songwriter and fiddler Seth Lakeman is well-known to many. This is his eighth studio album since...
Reviewed by Nathaniel Handy in issue: November/2016
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Tawahhud (Autism)
Established in 2003 by Egyptian composer, musicologist and oud virtuoso Mustafa Said, Asil Ensemble aim to develop new Arabic music...
Reviewed by Francesco Martinelli in issue: November/2016
Turmio
This is one of the most exciting bands to come out of Finland in recent times. The members of Okra...
Reviewed by Fiona Talkington in issue: November/2016
Native American Flute
Native American flute music has enjoyed a vast popularity ever since R Carlos Nakai first began recording in the 1980s...
Reviewed by Garth Cartwright in issue: November/2016
Here We Go 1, 2, 3
There's a personal feel to proceedings on this fifth solo album from the Irish-born, multiple BBC Folk Award nominee. Not...
Reviewed by Kevin Bourke in issue: November/2016
Arbina
Following her international debut album that was one of the greats of 2014, it's absolutely no bad state of affairs...
Reviewed by Martin Longley in issue: November/2016
Ilha d’Melodia
Ceuzany used to front Cordas do Sol, whose album Lume d’Lenha was apparently bought by one in ten Cape Verdeans....
Reviewed by Howard Male in issue: November/2016
Esperanto
Dimitris Mystakidis’ avowed mission is to restore acoustic folk guitar to its rightful place in Greek popular music, long dominated...
Reviewed by Marc Dubin in issue: November/2016
Brothers & Sisters
Lakuta are based in Brighton, but have influences that stretch far further afield. Their name is a Swahili term that...
Reviewed by Alex De Lacey in issue: November/2016
