Reviews
Unjugged
The Jim Kweskin Jug Band formed in 1963 and quickly leapt to the forefront of the US folk revival. In...
Reviewed by Garth Cartwright in issue: March/2018
Lysning
Nils Økland has a characteristic so often found in Norwegian music, a combination of humility and determination. He has had...
Reviewed by Fiona Talkington in issue: March/2018
Eco do Futuro
It's always refreshing to encounter a band that defies stereotypes, especially one with a lead singer who hails from balmy,...
Reviewed by Jane Cornwell in issue: March/2018
Soundspecies & Ache Meyi
This thoughtful, affecting cross-cultural collaboration between British production duo Henry and Olly Keen (Soundspecies) and veteran Afro-Cuban ensemble Ache Meyi...
Reviewed by Jordan Barnes in issue: March/2018
Neotolian Song
Had Kate Bush come from Cappadocia, she might have sounded something like Turkish-born, Boston-based singer-songwriter Nazan Nihal. With her musical...
Reviewed by Russell Higham in issue: March/2018
No Land
Olivier Mellano, Brendan Perry & Bagad’ Cesson
Brendan Perry's voice is a deep, sonorous instrument that carries all before it: a strong tidal river without a shore....
Reviewed by Tim Cumming in issue: March/2018
In Time
The most impressive aspect of this tight debut from the New York-based Akshara Music Ensemble is their brilliant manipulation of...
Reviewed by Amardeep Dhillon in issue: March/2018
The Worst is Yet to Come: Best Of 1995-2017
Norway's Los Plantronics have been rocking for more than 20 years now, hence this double CD or double-vinyl compilation. The...
Reviewed by Garth Cartwright in issue: March/2018
Deadly Hearts
A tribute album of cover versions of iconic Australian indigenous-oriented songs that have impacted on younger Aboriginal musicians, Deadly Hearts...
Reviewed by Seth Jordan in issue: March/2018
Rais
Tambu music from Curaçao is a drum-based genre that has incredible significance for the islanders. It is a particularly social...
Reviewed by Alex De Lacey in issue: March/2018
